PARTNERS

MAD

Design &

Interior Design

Alessandro Paloschi

Creative Copywriter

ZENWEB

Web Design

ABOUT ME

Ever since I was a child, I followed a character on a paper line that always came up inventing spaces in continuous movement. I saw her running agitated, constantly exploring and experimenting.

And thus I also started following and chasing her, learning from her jokes as she continuously repeated the process on that same piece of paper. It was her who scanned real time.

She taught me how to use imagination with caution, because when applied too quickly, it escapes sporadically all over the place. Thanks to her, I was taught

to focus on the papers thoughts and shapes.

And quite often in return, it also gave shapes to my thoughts.

This is the reason why I became an Art Director. When words need help in some form of manner, or even with  little company, that’s where I step in.

I believe that a strong visual must necessarily have more decisiveness with its author incertitude’s, because looking at it all, those same doubts could dissipate. This is why I don’t speak much, but I love the words that make you imagine what I truly mean

I believe in layouts that tell a story and header’s that you can truly see, oriented to a marketing made also of pure image and not of pure numbers.

What touches me most are billboards that float in your imagination and explosive packaging.

 

I love the ideas grasped from reality and then flipped completely upside down.

01 What service do you need?
02 When do you need it done?
03 What is your budget?
04 Enter your contact information and/or comments you may have.

Invio del modulo in corso...

Il server ha riscontrato un errore.

Modulo ricevuto.

GIORGIO EDOARDO

FERRUA

T.  011 6467750

M. 349 6121021

E. info@giorgioferrua.com

FRRGGD71M05L219T

P.iva 08047210011

Ever since I was a child, I followed a character on a paper line that always came up inventing spaces in continuous movement. I saw her running agitated, constantly exploring and experimenting.

And thus I also started following and chasing her, learning from her jokes as she continuously repeated the process on that same piece of paper.

It was her who scanned real time.

She taught me how to use imagination with caution, because when applied too quickly, it escapes sporadically all over the place.

Thanks to her, I was taught to focus on the papers thoughts and shapes. And quite often in return, it also gave shapes to my thoughts.

This is the reason why I became an Art Director.  When words need help in some form of manner, or even

 

with little company, that’s where I step in. I believe that a strong visual must necessarily have more decisiveness with its author incertitude’s, because looking at it all, those same doubts could dissipate. This is why I don’t speak much, but I love the words that make you imagine what I truly mean.

I believe in layouts that tell a story and header’s that you can truly see, oriented to a marketing made also of pure image and not of pure numbers.

What touches me most are billboards that float in your imagination and explosive packaging.

 

I love the ideas grasped from reality and then flipped completely upside down.

Ever since I was a child, I followed a character on a paper line that always came up inventing spaces in continuous movement. I saw her running agitated, constantly exploring and experimenting.

And thus I also started following and chasing her, learning from her jokes as she continuously repeated the process on that same piece of paper.

It was her who scanned real time.

She taught me how to use imagination with caution, because when applied too quickly, it escapes sporadically all over the place.

Thanks to her, I was taught to focus on the papers thoughts and shapes. And quite often in return, it also gave shapes to my thoughts.

This is the reason why I became an Art Director. When words need help in some form of manner, or even with little company, that’s where I step in.

I believe that a strong visual must necessarily have more decisiveness with its author incertitude’s, because looking at it all, those same doubts could dissipate. This is why I don’t speak much, but I love the words that make you imagine what I truly mean.

I believe in layouts that tell a story and header’s that you can truly see, oriented to a marketing made also of pure image and not of pure numbers.

What touches me most are billboards that float in your imagination and explosive packaging.

 

I love the ideas grasped from reality and then flipped completely upside down.

 

Ever since I was a child, I followed a character on a paper line that always came up inventing spaces in continuous movement. I saw her running agitated, constantly exploring and experimenting.

And thus I also started following and chasing her, learning from her jokes as she continuously repeated the process on that same piece of paper.

It was her who scanned real time.

She taught me how to use imagination with caution, because when applied too quickly, it escapes sporadically all over the place.

Thanks to her, I was taught to focus on the papers thoughts and shapes. And quite often in return, it also gave shapes to my thoughts.

This is the reason why I became an Art Director. When words need help in some form of manner, or even with little company, that’s where I step in.

I believe that a strong visual must necessarily have more decisiveness with its author incertitude’s, because looking at it all, those same doubts could dissipate. This is why I don’t speak much, but I love the words that make you imagine what I truly mean.

I believe in layouts that tell a story and header’s that you can truly see, oriented to a marketing made also of pure image and not of pure numbers.

What touches me most are billboards that float in your imagination and explosive packaging.

 

I love the ideas grasped from reality and then flipped completely upside down.

 

Ever since I was a child, I followed a character on a paper line that always came up inventing spaces in continuous movement. I saw her running agitated, constantly exploring and experimenting.

And thus I also started following and chasing her, learning from her jokes as she continuously repeated the process on that same piece of paper.

It was her who scanned real time.

She taught me how to use imagination with caution, because when applied too quickly, it escapes sporadically all over the place.

Thanks to her, I was taught to focus on the papers thoughts and shapes. And quite often in return, it also gave shapes to my thoughts.

This is the reason why I became an Art Director. When words need help in some form of manner, or even with little company, that’s where I step in.

I believe that a strong visual must necessarily have more decisiveness with its author incertitude’s, because looking at it all, those same doubts could dissipate. This is why I don’t speak much, but I love the words that make you imagine what I truly mean.

I believe in layouts that tell a story and header’s that you can truly see, oriented to a marketing made also of pure image and not of pure numbers.

What touches me most are billboards that float in your imagination and explosive packaging.

 

I love the ideas grasped from reality and then flipped completely upside down.